@book {Duntze2015, title = {Kodikologie und Pal{\"a}ographie im digitalen Zeitalter 3 / Codicology and Palaeography in the Digital Age 3}, series = {Schriften des Instituts f{\"u}r Dokumentologie und Editorik}, number = {10}, year = {2015}, note = {

Unter Mitarbeit von Bernhard Assmann, Johanna Puhl und Patrick Sahle

}, pages = {164}, publisher = {Books on Demand}, organization = {Books on Demand}, address = {Norderstedt}, abstract = {

The increasing number of digital reproductions available online, the qualitative advance in digital reproduction techniques and the development of new digital methods to analyse script and writing support has fostered the interest in the material base of the written cultural heritage. This volume takes up this interest and adds to the two previous volumes on Codicology and Palaeography in the Digital Age research on reproduction techniques, image manipulation methods to enhance readability, lexico-statistical research and databases of writing materials. The volume thus reflects the current state on computer-aided manuscript research.

}, url = {http://kups.ub.uni-koeln.de/7151/}, editor = {Duntze, Oliver and Scha{\ss}an, Torsten and Vogeler, Georg} } @book {Fischer2011, title = {Kodikologie und Pal{\"a}ographie im digitalen Zeitalter 2 / Codicology and Palaeography in the Digital Age 2}, series = {Schriften des Instituts f{\"u}r Dokumentologie und Editorik}, number = {3}, year = {2011}, note = {

Unter Mitarbeit von Bernhard Assmann, Patrick Sahle und Malte Rehbein.

}, publisher = {Books on Demand}, organization = {Books on Demand}, address = {Norderstedt}, abstract = {

Digital technology changes the way scholars work with manuscripts. This volume deepens the questions raised by the first volume on palaeography and codicology in the digital age, published a year ago, particularly questions on digitisation and cataloguing, on character recognition and the analysis of script.Moreover, the focus has been widened to include the fields of computer-aided manuscript research in musicology and history of art, as well as to methodologies applied in computational and natural sciences. Besides Latin, this volume covers also Greek, Glagolitic, Judeo-Arabic and other scripts. The spatio-temporal frame stretches from ancient Egypt of 1800 BC to Paris of the 20th century. With Contributions by: P{\'a}draig {\'O} Mach{\'a}in; Armand Tif; Alison Stones, Ken Sochats; Melissa Terras; Silke Sch{\"o}ttle, Ulrike Mehringer; Marilena Maniaci, Paolo Eleuteri; Ezio Ornato; Toby Burrows; Robert Kummer; Lior Wolf, Nachum Dershowitz, Liza Potikha, Tanya German, Roni Shweka, Yacov Choueka; Daniel Deckers, Leif Glaser; Timothy Stinson; Peter Meinlschmidt, Carmen K{\"a}mmerer, Volker M{\"a}rgner; Peter Stokes{\textemdash}Dominique Stutzmann; Stephen Quirke; Markus Diem, Robert Sablatnig, Melanie Gau, Heinz Miklas; Julia Craig-McFeely; Isabelle Sch{\"u}rch, Martin R{\"u}esch; Carole Dornier, Pierre-Yves Buard; Samantha Saidi, Jean-Fran{\c c}ois Bert, Philippe Arti{\`e}res; Elena Pierazzo, Peter Stokes. Introduction by: Franz Fischer, Patrick Sahle. In Collaboration with: Bernhard Assmann, Malte Rehbein, Patrick Sahle.

}, url = {http://kups.ub.uni-koeln.de/4337/}, editor = {Fischer, Franz and Fritze, Christiane and Vogeler, Georg} }