01450nam a2200121   4500008004100000245004500041210004400086260003700130520107000167100001801237700002101255856005201276       1965                        eng d00aRussian Formalist Criticism: Four Essays0 aRussian Formalist Criticism Four Essays  aLincolnbUniv. of Nebraska Press3 a<p>The Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then, however, they had produced essays that remain among the best defenses ever written for both literature and its theory.</p><p>Included here are four essays representing key points in the formalists’ short history. Victor Shklovsky’s pioneering “Art as Technique” (1917) defines the literary as a way to make us see familiar things as if for the first time. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Boris Tomashevsky’s “Thematics” (1925) inventories the elements of stories. In “The Theory of the ‘Formal Method’” (1927), Boris Eichenbaum defends Russian Formalism against various attacks. An able champion, he describes Formalism’s evolution, notes its major figures and works, clears away decayed axioms, and rescues literature from “primitive historicism” and other dangers.</p>1 aLemon, Lee, T1 aReis, Marion, J.  uhttp://scripta-bulgarica.eu/bg/biblio/lemon1965