<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Boyadjiev, Jivco</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">La proposition nominale assertive en bulgare, fran{\c c}ais et russe</style></title><secondary-title><style face="normal" font="default" size="100%">Съпоставително езикознание / Сопоставительное языкознание / Contrastive linguistics</style></secondary-title></titles><keywords><keyword><style  face="normal" font="default" size="100%">Contrastive Studies</style></keyword><keyword><style  face="normal" font="default" size="100%">съпоставителни изследвания</style></keyword></keywords><dates><year><style  face="normal" font="default" size="100%">1982</style></year></dates><volume><style face="normal" font="default" size="100%">7</style></volume><pages><style face="normal" font="default" size="100%">85–90</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;Nominal sentences are a universal linguistic category. The communicative nominal sentences may be classified according to the following criteria: a) structure (unexpanded and expanded sentences); b) semantics (representing descriptions of nature, the time of the action and its setting, the physical appearance and spiritual make-up of the characters); c) role in the text (introductive and conclusive). The skilful alternation between nominal and verbal sentences and nominal stanzas is an interesting stylistic device. Some authors (M. Cohen, T. Vianu) associate the more frequent use of nominal sentences with the spread of a specific literary tendency (Romanticism) and of a definite style (modern-impressionistic).&lt;/p&gt;</style></abstract></record></records></xml>